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Could sponsors hold the key to stopping racism on the terraces?
So Lance Armstrong (under)stated recently that he’d had a ‘difficult couple of weeks’.
Just to recap. In the last fortnight or so (and despite his protestations of innocence), Armstrong has gone from being a much lauded athlete who overcame serious illness to dominate one of the world’s toughest sporting competitions to a discredited drugs cheat and stripped of all his titles.
A ‘difficult couple of weeks’ by anyone’s standards.
Since the evidence against him grew and former team-mates spoke out about his role in the doping culture in the US Postal team, the position of sponsors such as Nike has shifted. Where initially they stood by their man, they ultimately decided to cut the relationship, citing that he had “participated in doping and misled Nike for more than a decade“.
It’s one of the inherent dangers of sponsorship.
While your endorsee is sweeping all before them you are associated with success and glory. But as Tiger Woods sponsors found out a few years ago, if that star misbehaves your brand is associated with someone getting the headlines for all the wrong reasons.
The news that cycling has/had a doping problem is both unsurprising and depressing.
Unfortunately, the same can also be said for the experiences of the England U21 side in their recent play-off in Serbia.
Racism in football
Having been subjected to racist chants throughout the game, things came to a head at the final whistle when Danny Rose was sent off for kicking the ball into the abusing crowd and punches were thrown as players and coaching staff jostled their way towards the dressing rooms.
Racism is a blight on society. It exists in the UK and while it is not tolerated in public arenas, the economic downturn hasn’t helped our natural tendency to tribalism when things are tough.
For nations that haven’t experienced the levels of immigration of other ‘races’ that the UK has, attitudes to people with different colour skin are not as liberal. Let’s not forget that it wasn’t all plain sailing and painless for us to get to where we are.
Terminology that was common just a couple of generations ago is now taboo. TV shows of the 1970’s wouldn’t even be considered now. And footballers in the UK used to have to run the gauntlet due to their skin colour as recently as the 80’s and indeed, incidents are still being reported in 2012.
None of this excuses what happened in Kruševac and nor does it excuse the lenient approach footballing authorities have taken with racist incidents in the past. In a multi-billion pound industry, fines of tens of thousands of pounds have little impact.
FIFA and UEFA are keen to cite the power of football to change society when awarding tournaments to countries like Ukraine and Qatar but plead impotence when it comes to topics like racism.
The natural indignation in England has lead some to suggest that we should pull out of international tournaments to make a point. Such an action would most likely be met with champagne corks popping in Nyon and Zurich, and would only serve to further dilute our voice in the global game.
The Serbian FA could have offered UEFA a get out of jail card. A statement recognising the monkey chants, apologising to the FA and footballing family and a clear plan of action to ensure it never happens again would have enabled the games rulers to give them a slap on the wrist.
Yet the Serbian FA refuted clear evidence of racist chants and stated that any claims to the contrary were malicious.
‘FA of Serbia absolutely refuses and denies that there were any occurrences of racism before and during the match at the stadium in Kruševac. Making connection between the seen incident – a fight between members of the two teams – and racism has absolutely no ground and we consider it to be a total malevolence.‘
Had they sent a letter saying ‘Fuck you! We did nothing wrong and we’re not changing!’ their attitude couldn’t be any clearer.
And in doing so they batted the ball firmly into UEFA’s court making the question very clear.
Do UEFA believe there was racism at the game and if so, do they consider it acceptable?
Driving behaviour change
Behaviour change and persuasion are all about understanding what motivates of the people you are trying to influence. This means putting your own motives to one side for a moment.
In other words, if we want UEFA and FIFA to impose stronger penalties for incidents of racism we need to understand what influences them.
And let’s be honest, British indignation has never kept them awake at night.
Much higher on the list of priorities are the many sponsors who provide a huge chunk of the money that powers the multi-billion pound football industry.
Just like Nike and Lance Armstrong’s sponsors, FIFA and UEFA’s backers (which include brands like Coca-Cola, McDonalds and Adidas) have a rare opportunity to make their opinion on an unsavoury topic clear.
No brand wants to be associated with racism and upsetting the sponsors is something the footballing authorities do not tolerate. Just ask Niklas Bendtner who was fined £80,000 for showing his Paddy Power lucky pants during EURO2012.
Compared to the fines given to national associations for incidents of racism, it seems rather excessive.
Let’s face it, for all the anger, griping and T-Shirt protests in England we simply don’t have the clout to demand action.
The sponsors are the ones with real power to influence, and maybe only a rebuke from the people who line their pockets will make finally FIFA and UEFA start taking racism in football seriously.
Engage! – What is the point of advertising?
Facebook’s recent IPO launch has had what Zeitgeist would describe kindly as a bumpy ride. There are multiple reasons for this, not least of which is the question of monetising mobile users of the platform – all 450m of them.
More broadly, another debate has been ongoing as to just what brands are getting out of having a presence on Zuckerberg’s walled garden. A great article on WARC points out, after much quantitative analysis of how people ‘engage’ with fan pages, and what the ‘People talking about this’ metric actually means,
“At the very core of the social media mantra is the premise that brands need to engage their customers in order to grow but there is only a tenuous link between the effects of engagement and subsequent sales. Even if these top 200 brands achieved ten times their current level of engagement, what that ultimately means for the brand is uncertain. The push for engagement fails to explain what return, in real terms, a brand achieves by having highly engaging ads, on highly engaging vehicles or media.”
Rather more worryingly for the advertising industry as a whole, the article also notes,
“[I]f advertising simply works by reminding people of the brand, leading to it “coming to mind, being familiar, safe, and satisficing (that is, being ‘good enough’)” (Ehrenberg et al, 2002), there may be little gain in doing anything more than reminding them of the brand. When focusing on achieving high levels of engagement we should question whether we are still trying to persuade consumers, even if our view of how advertising works is no longer aligned with this aim.”
With this uncomfortable diagnosis in mind, does this mean the likes of Nike and Louis Vuitton should be throwing in the towel with their wonderfully engaging, award-winning campaigns? If advertising’s only point to consumers is to act as a reminder, rather than to overtly influence, what are we wasting our time on?
“Our brands lie naked in front of the consumer”
Earlier this week, Zeitgeist went along to the outskirts of Kensington to visit ad:tech, billing itself as the number 1 event for interactive marketing.
First up was Ed Elworthy, Brand Communications Director for Global Football at Nike. One of the more interesting points Mr. Elworthy made was in stating how little notice the company pays to consumer research, saying Nike never put anything in front of a research group. ‘Trust Your Gut’, the accompanying slide read. He paraphrased an oft-used epithet:
“A client uses research in the same way a drunk uses a lamppost; for support rather than illumination.”
Nike’s marketing needs no introduction; over the decades they have produced some of the most exhilarating and innovative adverts on television. Nike built its reputation on a brand built for runners, by runners. But there’s a disconnect between a brand that is all about people, and a brand that simply talks at you during ad breaks. The company certainly hasn’t rested on its laurels. During the 2010 World Cup, aside from producing the incredible Write the Future TV spot (below), the brand went further by setting up a football training centre in areas of less affluence to give people the opportunity to play and be taught who otherwise would never have the chance to kick around a ball in any organised way. This activation campaign says more about the brand than any of its glitzy commercials – beautiful and successful (in terms of awards) though they may be.
Moreover, this wasn’t the first time Nike had branched out from television and online. Its 10k runs in London, and North vs South attracted thousands of people and generated awares in the tens if not hundreds of thousands. Who can forget the brand’s incredibly successful venture with Apple to produce Nike+? It was this strategic alliance that also inspired Nike to go ahead with The Grid, which encouraged runners everywhere in London to compete by racing from public phonebox to phonebox, dialling an access code and measuring time taken versus themselves and others. Holistically numbers were low, but among those who did take part, engagement was extremely high. Lastly, who can forget Nike’s greatest brand activation, that of Livestrong. Who would have thought rubber bracelets would become, for an astounding length of time, the zeitgeist manifest?
Next up was Euro RSCG London‘s CEO Russ Lidstone, whose presentation was entitled ‘Failing Forwards’. He suggested that failure, as long as it didn’t hurt the company and was contained and controlled, was a good thing, that we do not better ourselves unless we push ourselves first to limits that may have a breaking point, or may have multiple answers, some of which are wrong. He noted with interest how audiences are not to be segmented merely in terms of demographics, but also in terms of cultural viewpoints. The agency’s recent campaign for Chivas Regal seeks to raise the standing of the true gentleman, the honourable hero, etc. One of the images used in the TV spot was used for a separate print campaign, that of the firemen pictured below. In China the difficulty was that the firemen used for one of the ads just weren’t aspirational enough (not wearing nearly enough Prada, probably). This sets off issues of cultural tensions that surface when you are trying to appeal to a particular consumers based globally, who may or not be interested in your product.
Returning to the subject of mere demographics, Mr. Lidstone also noted the importance of awareness of frame of reference when dealing with those covetable young audiences. He showed an interesting slide of frames of reference, with a major event listed per year. Someone in their 40s, with their earliest memories at around 5 or 6, would be likely to remember the release of ‘Star Wars‘. A 16-year old today would probably have 9/11 as one of his or her earliest memories, and the recent 10-year memorial service would not have meant as much to them. He went on to talk about “advertising to manage social momentum”, noting how easy it is for your brand to lose its equity due to a misguided tweet or a grumpy consumer, alluding to the recent Topman debacle, as well as the fraudulent – not to mention hilarious – BP Global PR Twitter feed that sprang up in the wake of the oil spill off the Gulf of Mexico last year. The feed at one point was being followed by 55,000 people, compared to BP’s official, paltry, 7,000. “Our brands lie naked in front of the consumer”, he emphatically summarised. They can find out anything about us; there is a greater need for brand humility. Hear, hear, says Zeitgeist, though we’re not sure if Tom Ford would agree.
The birth of ‘anti’ sponsorship?
The way celebrity endorsements normally work is that a brand will identify someone with a high profile who is respected by core consumers and who embodies what the brand is all about, or wants to be all about.
It’s not always as straightforward as it sounds.
Some brands have teamed up with the most unlikely partners, while others have learned the hard way that celebrities are human too and that means they can make mistakes and decisions that you don’t want your brand associated with.
Not what Nike, Gillette et al signed up for
However, some marriages are made in heaven and can even lead to lucrative co-branded products such as the Nike Air Jordan range that was much desired by a young Zeitgeist.
Given how much kudos or harm a celebrity endorsement can do, Zeitgeist was piqued to read that Abercrombie and Fitch had suggested that they could pay MTV to not allow characters from Jersey Shore to wear their brands as the association was damaging.
One of the inherent dangers of being an aspirational or fashionable brand that is not priced to make it all but inaccessible to the very lucky few is that you will be worn by undesirables who want your brand to rub off on them.
This, combined with the modern phenomenon of reality TV shows and the glorification of the minor celebrity with limited talent but a huge thirst for fame, can result in a brand receiving more exposure from accidental off-brand associations than their much crafted paid for work.
It is to mitigate this kind of damage – and to generate some buzz – that Abercrombie and Fitch have made their proposal.
While offering to pay someone to not associate with your brand might be a simple solution and a reversal of the traditional model of paying someone to endorse your brand, it isn’t particularly creative and Zeitgeist can’t help but wonder it could actually be dangerous.
Now that a precedent has been set, will we now see the smarter minor celebrities attempt to ‘extort’ lucrative ‘anti-sponsorship’ arrangements with brands who would want nothing to do with them.
With marketing budgets already modest, we hope not.
Studying the Studio Brand
Apple’s powerful brand helps it sell its various computer devices to customers. Nike’s brand is similarly beneficial as far as sports shoes and apparel are concerned. Both brands have a certain ideology; cues that tip off the buyer as to what to expect from the product, or what kind of ethos they are buying into. Not so for a 20th Century Fox. With the 3D cash cow already struggling, what can film studios do to leverage affinity for their product?
In the early days of the filmmaking, the branding of a studio was more prevalent. The audience in turn, might have had more affinity for one studio over another, which may be what the choice comes down to when presented with a similar product – two asteroid films, for example, just like Nike must compete with other sneaker manufacturers. 20th Century Fox has a diverse stable of films, from Star Wars, Titanic and Avatar to Black Swan and The Wrestler. The latter two are produced by a subsidiary studio, focussed on smaller, art films, called Fox Searchlight. With such a narrow remit, it would be interesting to see the studio build its brand with consumers more, encouraging affinity. Could other subsidiary studios be created, in name only, to signal different genres and expectations to movie-going customers? They could take a leaf from Marvel’s marketing handbook, which, laden with the singularly uninspiring film Captain America, used the equity of the studio’s previous films to raise the hypothetical level of assumed quality: “From the Studio that brought you…”. It’s a great idea that could be used far more frequently by a greater number of studios.
Nike’s “Future” Re-written
The remix and mashup are emblematic of the pluralistic society we live in today. Renowned professor Lawrence Lessig would have it no other way, as he points out in his book, ‘Remix’. Every time a company lays itself on the line by broadcasting its intellectual property, it submits itself to reinterpretation by a society who through the use of cheap, simple technology, can easily reinterpret the original content, and under claims of educational or critical purposes, the new content is legal under terms of fair use. The above, reworked Nike ad is was a great example, but has since been taken down due to claims of intellectual property rights (IPR) infringement. An Oriental homage of Nike’s “Write the Future” can be seen above.
Yesterday’s insightful op-ed in the FT (which mentions the great Lessig), calls the implementation of the current 95-year copyright limit “a terrible strategic blunder”, advocating instead for shorter but better regulated terms. Over-protective IPR stifles innovation, and is unnecessary since “most holders of copyright gain all the money from a work they will ever do within five or 10 years and the rest of the term is like a one-in-a-million lottery ticket for the rare artist such as J.K. Rowling”.
Tiger burns bright in new Nike spot
Nike’s new spot for Tiger Woods, ahead of his return back to the greens and fairways later today, is an interesting one. It features a monochrome vision of Tiger as he looks into the camera, while in a voiceover his late father questions what the future will bring for him, now the skeletons are out of the proverbial closet. Zeitgeist reported on Tiger’s indiscretions before, and while brands like Accenture have sought to distance themselves, Nike have stood firm. Brand Republic has more. At what point do we distinguish between the athlete or performer, and their personal life? What do you think of the new ad?
The Fearful Symmetry of Tiger Woods
From the Winter 2009 Zeitgeist…
Brand ambassadors are nothing new. Napoleon (seen above in a casual pose) has long been such an ambassador for the watchmaker Breguet, having worn one during his short (for he was short) life. But what happens when the real world conflicts with the manufactured artifice? Are all of Andre Agassiʼs triumphs now overshadowed by drug addiction? What of recent rumours that Tony the Tiger is diabetic?
Tiger Woodsʼ indiscretions have highlighted such concerns; what happens when an athlete who is not only a champion in his chosen field, but also seemingly the epitome of a gentleman in his private life, turns out to be less than perfect? Tigerʼs presence – a young man of mixed ethnicity in a sport dominated by old, rotund white guys obsessed with the faux exclusivity of country clubs – was a huge statement in of itself. It was for all these reasons though that some major blue-chip brands chose to invest in his good name. Who can forget the fantastic Nike spot of yesteryear?
While his namesake currently graces the Spirit Airlines website, Tiger can unfortunately no longer be found on the Accenture homepage. For a company to so abruptly end such a sponsorship is an enormous blow to both parties and both brands. Industry Standard wrote, “Tiger has literally become the sole face, the strategic embodiment, the business essence of Accenture, the $22 billion global IT, outsourcing and business consultancy proclaim[ing]: ʻWe know what it takes to be a Tiger.ʼ Everything about that slogan has now become a PR debacle, comedian’s punch line and perplexing psychological examination…”.
Tiger is now on an “indefinite” leave from golf and the brands that rely on the sportsman solely for his golfing prowess are sure to be affected. Electronics Arts will have a hard time selling the umpteenth version of the Tiger Woods PGA Tour franchise if the eponymous player does not compete. TV ratings for golf tournaments will similarly suffer, according to the FT and New York Times. Nike, PepsiCo and AT&T are all of a ʻwait and seeʼ mindset. Gillette will “remove its Woods-related advertising for now” in order to respect his much sought-after privacy. Gilletteʼs triumvirate has suffered of late. Thierry Henry is also mired in scandal after denying Ireland a place in the World Cup by somewhat guiding a ball with his hand at a crucial point in the game. Gillette has denied the act will affect his contract. Roger Federer seems to be the only one currently untainted, though not wishing to jinx him, Zeitgeist will move swiftly on…
Ultimately, such crises can be fleeting. Michael Phelps, pictured with a bong and promptly dropped by Kelloggʼs, will not be forgotten for winning a Fort Knox-worth of gold medals in Beijing. NFL player Michael Vick organised brutal dogfights in his free time, but returned to the game to cheers from the fickle crowd. There may be lasting impact this time, however. As the Zeitgeist team have said before, if caught, the best practice is to immediately admit culpability, express sincere contriteness and take ownership of the situation, as Accenture have done.
Digital Activation @ SW19
From the July Zeitgeist…
With the London Olympics on the horizon and the World Cup next year, one rather large sporting event has just taken place on our doorstep. The Championships at Wimbledon provided a very interesting case study of digital brand activation.
The sponsors, though subtle, were plentiful. Ralph Lauren served as the wannabe‐Brideshead Revisited outfitter. Their site is serious, serene and sophisticated. Not much fun, however. Aside from some nice flash video and some tips for players, there isn’t much going on. Evian have a more engaging, enjoyable site, though it promises more than it delivers; while the navigation is interesting, the functionality is unsatisfying as it could have been so much more. The Wimbledon site itself does an excellent job of ensuring the brand remains true to its ethos while still keeping it fresh and relatively contemporary. The pop‐up live scoring, VOD, blogs and social networking functionality make it a fantastic site. Ticketmaster have been releasing unallocated tickets for Centre Court throughout the championship, and have linked with the Wimbledon homepage and eCRM campaign.
HSBC has played a larger role this year in its sponsorship of the tournament, hosting a poll for people to vote for who, in their opinion, is the greatest men’s and women’s player of all time. However, the bank’s sponsorship page is somewhat uninspiring, and the link on the Wimbledon website could also be improved. The BBC, never one to miss an opportunity to elevate and aggrandise out of all proportion every generational hope for a British winner, had blanket coverage of the tournament; their online presence with blogs, live online video, text updates and impressive editorial was a great showcase of exciting
but not overwhelming content and functionality.
There is a superb iPhone app as well, which Ogilvy played no small part in developing with IBM. No talk of Wimbledon would be complete without mentioning Roger Federer, who on Sunday won his sixth Wimbledon title and 15th major. Nike created a simple but effective microsite for him, where users can leave a congratulatory message. This is published as a collage on a green lawn; the site prompts the user to re‐publish their message on Facebook, Twitter, etc. As some of these examples are temporary, make sure you check them out ASAP.